I really look at myself as more of a business man then an artist nowadays. Itís crazy to say that, but on the independent circuit there are no A&R's, publicists, promoters, bookies, etc.; guerilla marketing is the constant. Inn less you stumbled upon a large sum of money or an investor believes in you, any and all resources will have to be bought out of your own pocket. With that said, I want to take a second and describe an average day of guerrilla marketing and recording for me. I start my day at 4:00 AM 5 days a week and travel over an hour from Baltimore to Washington DC for work. During the drive, I am usually practicing my lyrics for different songs I want to perform at upcoming shows. When I get to my job, I carry in a book bag that has my rhymebook(s), beat CD's, and 100 blank CD's into work. I know ya'll are thinking "damn", his job is a cakewalk, and I am here to say it is to a degree, but I have a Secret Clarence and work as a government contractor across the street from the Pentagon. I am around important people and I do an important job, but that doesn't stop me from spending all 8 of my hours at work burning copies of my mix album ìThe Revolution Begins with a Takeover" Vol. 1 and copies of my 1st single, "Special Request", from my studio album "Vintage Material". Iíll usually hit up Club Flyers and order a 1,000 promo cards each week as well for my projects, shows, and radio play. Artist, here is a quick tip, you can get a 1,000 free promo cards at Club flyers as much as you like and only pay $14 for shipping. Okay, I will drop lines like that from time to time, now back to our regularly scheduled blog. When I am really free at work, I am making html codes for internet promo and building databases for every college, commercial, and internet radio station in the US. Its terrible work, but you donít need a label or a radio promoter to work your tracks, all the info is on the net if youíre willing to be patient and research things. Just to give you an example, while everyone else is shelling out $2000 to $4000 for a college radio promoter to get there record charted, I took the time and looked up just about every college DJ that submitted a top 30 chart to Rapnetwork & Rapattacklives. Long story short, a track of mine called "Ode to tha Pioneers" peaked at number 4 in a month without burning up a credit card or going in debt. It was a grind to make it happen, but I knew the track was strong and on the college circuit, they are all about underground Hip-Hop.

Anyways, back to the grind, when I leave work, I usually take the opportunity to get a lot of my writing done while I am driving home. I wrote most of my last mixtape and my first album in my truck because it saves me time to work on business projects when I get home. When I get back to Baltimore, I go to staples and spend $47 on 150 mixtape covers and proceed to go through sheet after sheet of cutting each cover out. Next, I usually go to Best Buy and buy two packs of jewel cases for all the CDís I burnt at work. Then, I have to put actual covers on my product, so I have to go CD by CD and send it through my printer, which takes 3 to 4 min to print. The final step is checking out my schedule and database to see what shows I can attend for the week to hand out CD's. I am working on servicing regular Gas Stations, Malls, and stores with my product as well, so I have my by Kontact making me spreadsheets that will allow me to document where, when and how many CD's I leave at each location. Everything I do is down to a science and very professional, so I don't care about making people pay for a mixtape of mine; I rather just give it to you for free, so you can enjoy the music. See, the price I go through to make 100 copies of my mixtape or a single is tedious and time consuming, but that is the stuff the consumer doesn't know about. They donít know that if they throw a CD of mine away or it collects dust, I just wasted 5 min. out of my day. Believe me, I am not griping because I think its well worth the chance.

The next phase of guerilla marketing is something that most artists donít think about at the independent level and that's your image. You have to market yourself like you're already signed, so I push my self to be in great shape for three reasons. One, I travel a lot on the show tip, so itís important to stay healthy while your on the move. Two, I have a very energetic show that involves consistent quick movements and the use of props you would only see in a theater setting. Three, I want to look like a superstar and present myself as very professional when I am out and about. To make this happen, I run 3 to 4 times a week varying from a mile to 2 miles each time. That is followed by 100 sit ups/ push ups and then an hour to two hour rehearsal with my Deejay DJ Dublee and Kontact. Depending on what time it is, I usually cap my night off doing some more writing and recording. Itís funny because I feel like I am a machine at times or an annoying admin assistant with my schedules. Hey, what can I say, I am trying to make it in this music industry and I am willing to do as much work as possible to make it happen.

Wordsmith